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The official YouTube video of the song had 200,000 views within the first two weeks of release. On Decemhe released another mashup called 'United State of Pop 2008 (Viva La Pop)', prominently featuring Coldplay's song Viva La Vida as the backing track. Justin Timberlake and Nelly Furtado - 'Give It to Me' (#21) Young Joc - 'Buy U a Drank (Shawty Snappin')' (#5) Soulja Boy Tell 'Em - 'Crank That (Soulja Boy)' (#20)

Shop Boyz - 'Party Like a Rockstar' (#14) Plain White T's - 'Hey There Delilah' (#7) Justin Timberlake - 'What Goes AroundвЂ¦/вЂ¦Comes Around' (#22) Gym Class Heroes - 'Cupid's Chokehold' (#23) will.i.am - 'Fergalicious' (#19)ДЇergie feat. Snoop Dogg - 'I Wanna Love You' (#8)Д¬arrie Underwood - 'Before He Cheats' (#6)ДЇergie feat. As of 27 June 2010, the song has surpassed 2.6 million views on YouTube.ДЄkon feat. Earworm is the first mashup artist to have a bootleg mashup enter BillboardвЂ™s charts.

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The song crossed beyond the online download market, reaching the Top 100 for national radio play in February 2008.

Dj earworm mashup manual#

He is the author of Audio Mashup Construction Kit (Wiley, 2006), a how-to manual for creating mashups.ДЄt the 2008 IDEA conference, he revealed that he has made mashups using Ableton Live, and now DJs live with the same software.Д®arworm's 2007 mashup, 'United State of PopвЂќ consisted of the top 25 songs of 2007 according to Billboard magazine. He has been contrasted with mashup artist Girl Talk, who has a more DJ-oriented style. His mashups often convey an entirely new meaning than the original material, such as a political message in вЂњNo More GasвЂќ. He gradually layers samples on top of one another, matching keys and subtly altering melodies. After encouragement from DJ Adrian at Club Bootie, Roseman created the moniker DJ Earworm ('earworm' referencing a song that repeats compulsively within one's mind) and began releasing mashups via a website.ДJ Earworm has a unique mashup style that consists of a compositional, songwriting approach. He began making mashups recreationally in 2003 using ACID. In his early life, he played piano and produced original electronic music on a computer, later majoring in music theory and computer science at the University of Illinois. Roseman was born into a family of musicians and raised in eastern Iowa. His annual вЂњUnited State of PopвЂќ mashups, short mixes featuring the top 25 songs of the year according to Billboard magazine, have reached the Top 100 for national radio play and become internet sensations.

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You can read the full Time interview here.DJ Earworm (aka Jordan Roseman) is a San Francisco-based mashup artist who has achieved recognition for his technically sophisticated, songwriting oriented mashups. But I think theyвЂ™re a form thatвЂ™s here to stay and will be relevant.вЂќ I know mashups were at a cultural peak right around the turn of last decade. But thereвЂ™s something to be said for persistence, and for not quitting even though the pendulum swings. вЂњIвЂ™ve gone through some peaks and some valleys. вЂњIвЂ™m in it for the long haul,вЂќ Roseman told Time.

If youвЂ™re someone who looks forward to a new DJ Earworm track every year - as I have done since 2009 - the only question that matters is whether Roseman will continue to produce. Especially for teenagers, who Roseman shouts out in his Time interview, declaring that music is вЂњthe soundtrack of their lives,вЂќ adding that вЂњthe top of the charts is the soundtrack of my life as well.вЂќ Music, a universal language, and musicians, universal icons, made the videos feel that much bigger. Everything was moving online, and people were sharing their art with whomever wanted to find it. His use of YouTube as a platform to premiere ridiculously catchy songs with equally entertaining videos also spoke to what YouTube was in 2009. RosemanвЂ™s emergence as DJ Earworm felt like more than another DJ entering a world where electronic music was moving from niche circles to mainstream dominance. Because hip-hop is dominating that right now, itвЂ™s starting to get a lot sillier.вЂќ Although itвЂ™s all slower - itвЂ™s slow, mumbly hip-hop - thereвЂ™s also this reggaeton influence, thereвЂ™s slow EDM mixed with tropical house towards the end of the decade, and now weвЂ™re starting to see a new feeling of novelty. вЂњAt the beginning of the era, it was all this in-the-club, medium-flavored, 120-130 BPM electro-pop, basically,вЂќ Roseman told TimeвЂ™s Raisa Bruner in a new interview.